The Woman and Her Irishman by Guest Storyteller Brenna Layne

Over a century ago, the orphanage burned to the ground, and a chapter of my family's history went up in smoke. With the papers charred to ash, all anyone knew about Timothy Sullivan was what they could remember—that he had been allowed to keep his birth-father's name (an unusual practice at the time) and that he'd been left at the orphanage by a woman with long black hair. Every year when St. Patrick's Day rolls around, my family retells the stories of our ancestors. Timothy's begins in fire and mystery, but it's the woman I wonder about. The suggestion in the story has always been that she wasn't Caucasian, that some Irish immigrant had taken a Native wife or lover.

Last week, the internet exploded over the release of J. K. Rowling's new series of stories set in North America and heavily featuring Native American mythology viewed through a European lens. Many First Nations people decry Rowling's cultural appropriation, while Harry Potter fans spring to her defense.

I don't know what to think. I've been reading articles about cultural appropriation and trying to understand. There is so much rhetoric on all sides. What I do understand is that stories have power. They tell us who we are, shape the way we locate ourselves in this world, pit us against each other. They bring out the best and the worst in us.

So what does it mean that part of my story is missing? Sometimes I try to imagine all the nameless women who came before me, their faces and loves and lives lost to history. My head spins, and the hugeness of not-knowing threatens to overwhelm me. How do I understand myself if I don't know where I come from?

Stories are tricky, and trickiest of all is that there comes a time when we must begin to write them for ourselves. So I pick up the threads, the floating flakes of ash borne on a century-old updraft, and set out into the wide world to discover who I am.

Brenna Layne, #365StrongStories guest storytellerBrenna Layne is a writer and mother in the Shenandoah Valley of Virginia, where she chases words, kids, critters, and sunsets.

 

"I ask my Confidence for help”

I ask my Confidence for help, #365StrongStories by Marisa GoudyOn the way home from Girl Scouts last night my first grader and I had a chat about "the inner critic." Well, I thought it would be a good conversation topic because I was all jazzed up after chapter one of Tara Mohr's Playing Big. Tara wrote something about how it would change the world if girls knew how to change their relationship with that nagging voice of self-doubt before it constrained them. Our sunset drive inspired me: clearly this was the perfect time to transform the future.

Turns out, my six year old didn't really know what I was talking about. She didn't understand that there could be a voice in her head that said yucky things about what she could and couldn't do. Instead, she told me about how she and her Confidence worked together to do hard stuff like reading really long chapter books.

This Confidence creature sounds pretty amazing. 

I know I have my own redhead version who got me through those very same books and lots of really big challenges since then. Clearly the trick is making her my best friend just like a six year-old would.

My Confidence and I are busy at work on my new course, Tell Stories that Matter: Write Online Content that Your Readers Care About.

Guess what? One of the things I promise to help you do is “confidently and easily tell stories that connect.” Please click below to join the interest list to get all the details and the VIP perks.

Tell me more

Stories Hold Us Through Life’s Changes

Stories Hold Us Through Life's Changes, #365StrongStories by Marisa GoudyLast week, my daughter and I lay together and wrote the last sentence of a sacred chapter in my mothering story. Without any sense of occasion, I nursed her to sleep for the very last time.

When she woke before dawn expecting to slip back into our routine, I was sad but resolved. Watching your baby get lost in the delirium of a being weaned against her will is its own unique kind of torture.

This must be doing irreparable harm, I worried. I was withholding mother love and sustenance and introducing her to a cruel world of deprivation and lack.

Less than a week later, I realize that I was in my own state of dramatic delirium. She did recover and she did it fast. Now, when my 25-month-old wakes from a nap she asks for a snuggle and a book. With a child’s gift of living in the present moment she has adjusted and found a new way to connect with me and with her world.

Yes, stories change lives, but, even more importantly, stories hold us when life changes

In this midst of this very personal transition, I have been busily crafting my new online course and outlining webinars and fussing over Facebook ads. I’ve been immersing myself in entrepreneurship. All this work is a worthy way to support the family, of course, but it’s also been a handy place to hide from grief.

Only today, when I sat outside with a cup of tea and my journal to draft this story, did the tears start to flow. Great, heaving sobs echoed off my neighbor’s house, but I didn’t care. The sorrow caught up with me as I realized my body would never be called to mother someone in the same way again.

My breasts have nourished and nurtured two children and, since we do not plan to have any more children, their work is done. I am mourning this ending, but I am also humbled and grateful. Because I paused to write this story, I was able to feel all the feelings and heal the wounds left by this rite of passage.

I can see that there’s no accident in the timing of all this.  The new beginning can be as exciting as the ending is sorrowful. Freed from having someone depend on me at such a visceral, physical level, I am able to reallocate that energy and serve the world in a different way. My mothering commitments are every bit as intense, but I know that energy has a way of shifting and amplifying in ways that stretch time.

Now that I’m no longer performing the magic act of making milk, I can help more people practice the alchemy of turning ideas and dreams into stories that matter.

In April I’m launching my first writing and storytelling course, Tell Stories that Matter: Create Online Content that Your Readers Care about. Please click below get on the interest list to get VIP perks and special pricing.

Learn more about the storytelling course

It's Hard to Write Your Way Through the Monday Blues

I wish I worked on Mondays #365StrongStories by Marisa Goudy What if every weekend was a three day weekend? Sounds like an ideal life, right? From my experience, that isn't necessarily true.

Theoretically, Mondays are a mother-daughter day and I don't work except for during nap time. That never really serves anyone.

Today, I tried my best to write my way through the "I don't like Mondays" blues. I tried to write a story of how I just couldn't show up as a mom when I felt like I "should" be working. I ended up in the worst of both worlds, neither present nor productive.

Every story I tried to tell about the day came out in a tangle. I sounded like a whiny victim or a preachy blogger. After all, the easy solution would be to hire a sitter  for a few hours and just get to work! I'm going to get on that. Promise. In the meantime, here's the Facebook Live quickie for your #365StrongStories shot of video storytelling.

Invisible Design. Temporary Creations. Stories that Connect and Endure.

The best design is invisible. All creations are temporary. #365StrongStories by Marisa Goudy There are million reasons that an entrepreneur stays up too late. At least 99 of those are actually related to doing the real work that brings in business and enables you to serve more people and make the world a better place. And so, this weekend, my former Online Empowerment partner, Corinna Rake, who is still my website angel, stayed up entirely too late last night to work on my site. The night before, I had pushed myself well past bedtime in order to get her everything she needed to do her tech magic.

This morning, any observant website visitor would spot new sidebars with clearer email opt-in invitations and streamlined categories. Soon, you’ll copy about my approach to making connections and building your online presence through storytelling in a new text area on my homepage.

Thing is, no one is really going to notice.

This isn’t a “poor me” statement. It’s experience speaking. And it’s me taking a deep breath and assuring both Corinna and myself that all of our hard work was important even if no one seems to see it.

The need to be seen and recognized

Raised to make a difference in the world and to always be at the top of class, being invisible seems like utter failure. Working hard on something that no one is meant to notice seems like a bad joke come true.

I know this isn’t the only way to look at the world - it’s the limited perspective of an American perfectionist born in the last quarter of the 20th century. It’s the lament of the individual snowflake who can’t believe she might get lost in a great white sea of sameness.

If I weren’t so tired after all the website-related sleep deprivation, I might be able to call to mind an Eastern parable about the value of work that goes unrecognized or at least temper these statements as a woman who has grown past that competitive ethos of high school.

Right now, all I can do is picture the sand art scene from last season’s House of Cards. I’m feeling just as baffled as the type A White House residents who couldn’t imagine toiling so hard on something that would just get swept away.

But that’s a different story about a different kind of work.

The website work that we did is easy to see, though it’s invisible to most. The web is a volatile realm, but those coding changes were not necessarily transitory. Corinna’s redesigns will help support my message and my work for the next few years until some shift in design and accessibility trends means “that site looks so 2016” becomes an insult.

It’s OK that some good work is invisible.

It’s also OK to writer and create arts that wants to be seen.

After years helping to build websites and write copy that gets a point across and makes people act, I understand the value of work that fades into the background. I understand it, but I can never love it. That’s why I have dedicated myself to storytelling and mentoring other writers, not to churning out sales pages.

This April I am launching a new course called Tell Stories that Matter: Write Online Content that Your Readers Care About. We’re going to explore how to craft stories that connect - not just copy that converts.

This online course will launch in April and I would love to have you with me from the start. Please join the interest list to receiving VIP updates and special pricing. Learn more about the storytelling course

Tell Stories that Matter (Mompreneur Outtake)

Rehearsal for the new course promo video was hijacked by a two year-old.  In the spirit of authenticity and because these 44 seconds tell the universal story of what it means to be a mom entrepreneur, I'm posting it as today's #365StrongStories post.

Plus, I'm pretty sure I said it best in this version. The Tell Stories that Matter: Write Online Content that Your Readers Care About course is for the emerging thought leader who wants to connect to their own stories and to their creativity. It's for you if you want to connect to your readers and build your business by becoming a stronger storyteller. This online course will launch in April and I would love to have you with me from the start. Please join the interest list to receiving VIP updates and special pricing. Tell me more

The imbalance of passion. The recalibration of the scales.

The heroine finds her passion, but at what cost? #365StrongStories by Marisa GoudyOnce upon a time, there was a woman, a woman who was also a writer and a business owner and a healer and a mother and wife. She had wandered in the hinterlands between her various identities trying to root into her most essential, creative self. It was a sweet journey, albeit a scattered one. Most nights she fell restlessly into bed, feeling she’d run a dozen races and sure that she hadn’t finished a single one of them.

But then, in the darkest time of the year, the time we hang with lights and soak with champagne, she heard a call. She was invited to step deliberately into the new year. It was time to bring all the threads together. It was time to embrace a truth she’d long known but often forgotten:

She is a storyteller.

And so, if you happen to have this woman in your digital circles, you have seen the floodgates open. Sixty stories and more have poured from her heart, sprung from her mind, and flowed through frantic fingers. She has dozens of beginnings, middles, and ends to show for herself in 2016.

This writer has never felt so creatively alive.

She is proud. She is weary. She is also afraid.

Though she began this project almost on a whim, she’s not having a casual affair with these #365StrongStories of hers. This project matters and it will endure, she swears it. But at what cost?

It’s time to reevaluate the big project

Ok, enough of the third person (a handy tool to hide behind when emotions threaten to drown out the narrative, but a way to hide nonetheless). I’m standing before you, my generous and supportive community, to say I won’t quit, but I will change.

The #365 project is vital to my mission - walking the talk and showing that it is possible to tell stories that connect with confidence and ease. And yet, flexibility and transformation are just as vital so I can survive and fulfill that mission.

And so, I am further redefining the parameters of this #365StrongStories project.

Not all stories require spell check and copyediting

In this media driven age, it’s obvious that stories do not need to come in written form. Think about it - storytelling thrived long, long humans could write and story will continue to be an engine of the human experience when we start communicating via telepathy.

I’m giving myself to break my stories out of their sentences and paragraphs (and the sizeable time commitment that comes with editing the written word). More than half of the entries in the #365StrongStories projects will continue to be good old stories that you can read with your eyes, but the rest will be video, image, and even art.

In doing this, I am giving myself some creative breathing room. Now, I am liberated to develop the stories and ideas that refuse to be bound by word limits and midnight deadlines. I can go deep and tell the bigger Story when I need to.

I am also being realistic about what it takes to develop a readership for all this stuff. Yes, it really is true that content marketing is 20% content and 80% marketing. I certainly do not have four hours a day to devote to promoting this content, especially when I have a writing coaching business to run.

Tell me what kind of stories fill you up and help you along

In my creative flurry, I think I have occasionally lost track of one of the fundamentals of story: connect with the reader and invite that reader to be the hero.

As I revise the shape of the #365StrongStories project, I am also reconnecting with what matters: you. Please help me do that.

  • What kind of stories light you up?
  • How do you feel about video storytelling?
  • Would writing prompts inspire you to write your own stories (and even submit them to the project?)
  • What can't I see about what's working and what isn't about this project that you, dear reader, can see clearly?

Leave  your thoughts and ideas in the comments or post them over on the Facebook page.

This project matters to me, and I know that it matters to many readers too. With your help, Strong Stories will fulfill its mission: to inspire a great circle of people to tell stories that matter.

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When Elder Becomes Child by Guest Storyteller Tania Pryputniewicz

When Elder Becomes Child, #365StrongStories by Guest Storyteller Tania Pryputniewicz

Once my father played guitar in a trio. Once he carried me on his shoulders, paired rotors of elm leaves spiraling to land in my hair. He spun with his hands the playground carousel as I gripped silver rails, metronome wand of his body reappearing each pass where I left it. I fell asleep anchored to the rhythm of his voice reading me book after book from The Hobbit to The Song of Hiawatha to The Chronicles of Narnia.

Once he waved goodbye as I rode off to college on the back of a motorcycle. To the trill of Hermit Thrush, the day I wed, he walked me down a cotton-lined path strewn with rose petals. Once he came every Friday to care for my children when they were infants, then toddlers, just so I could write poems at the coffee shop until we moved 600 miles away along the coast.
 
The days have turned their pages to the part in the story where it is my turn to play guitar for him. My turn to read, record poems, send sound files, so that where eyes fail to see, his ears may hear the family voice he once midwifed as nightly he drifts dreamward in sleep. If I could, I would carry him on my shoulders so he might catch the falling stars. 

Tania Pryputniewicz by Jamie Clifford

Tania Pryputniewicz, author of November Butterfly (Saddle Road Press, 2014), teaches Wheel of Archetypal Selves Tarot Writing classes and is using the Tarot cards to finish writing her second poetry manuscript about an Illinois commune she lived on as a child.

Never miss a story. Subscribe to the weekly #365StrongStories Digest.  Click Here to Subscribe

 

On Mentorship, Evolution, and a Book We Were Destined to Write

"When you constantly allow yourself to be human you constantly become more conscious" - Eleanora Amendolara, #365StrongStories by Marisa GoudySome stories become so well lived that forget that how you got there is a story worth telling. That is how I feel about my relationship with my mentor and teacher, Eleanora Amendolara. More than a decade ago a Lyme disease diagnosis brought me to a local healer Sue Fick’s table. Within two years I remembered that I wanted to be a healer too and I decided to join Sue at class. After all, I had become a Reiki master in college and I had long yearned for those superpowers to become real in my life.

That was when the Sacred Center was first woven into my life. Though I followed the signs and made the choice to show up, it all seemed meant.

And that’s the way it’s been as healing trainings evolved to become a Mystery School, as those stones that Eleanora uses became the sacred tools behind Chumpi Illumination. Because I was there at the heart of this organic transformation, I barely noticed that the work was sitting at the core of my life.

In the middle of this journey I gave birth to two babies. I clung to the couch fighting morning sickness, I dozed during my third trimester, I brought along infants to class. There were two growing reasons to say "I'll be back when the kids are older," but the decision to make it work seemed as predestined as all the rest.

Becoming Eleanora’s go-to writing and marketing person seemed natural. Writing a book together seemed like the logical extension of our work together. After all, she had evolved from being a teacher to being someone I knew would be one of the surest guides in my life.

Today, however, it’s time to pause and notice how far this work has come. Please take two minutes to watch this gorgeous trailer for our book, Chumpi Illumination: Gateways to Healing and Transformation.

The Art of the "Self-Focused First Draft"

Close the door. Write with no one looking over your shoulder. Don't try to figure out what other people want to hear from you; figure out what you have to say. It's the one and only thing you have to offer.” - Barbara Kingsolver, #365StrongStories 67Close the door. Write with no one looking over your shoulder. Don't try to figure out what other people want to hear from you; figure out what you have to say. It's the one and only thing you have to offer.”- Barbara Kingsolver

For years, I sighed with longing when I read this passage by Barbara Kingsolver. How fortunate she was to have such a healthy ego! How privileged she was to be the woman who could enter her writing room knowing that she had the power to author books that would sell. Maybe someday when I grew up I could be so free.

And so, I dedicated myself to looking over my own shoulder for a good five years. I hunched over the keyboard and scanned the web for clues about how to wear just the right chains for just long enough. Eventually, I prayed, I'd earn the right to tell the stories that mattered to me.

Because I thought it was part of paying my dues, I forced myself to choke down the “how to create viral content” KoolAid (even though I distrusted those marketing “gurus” and it killed my writer's soul).

Because I was so afraid of being revealed as a fraud, I avoided “real” writers at all cost. It seemed smarter to maintain a healthy distrust for artists and other free spirits who took Kingsolver at her word and created with wild abandon on the other side of the studio door. After all, they were the lucky ones. There was no use envying them their freedom when I still had dues to pay and chains to wear.

What changed? What made me finally realize that Kingsolver was right and that she is speaking to anyone who feels called to write at any point in the creative journey? I certainly didn’t “make it” using all those marketing formulas and trying to please the crowd. I dropped those chains because I had to.

Finally, I realized it was true: I didn’t have anything of worth to offer if I didn’t uncover the story that mattered to me. I was starving my creative passions and I wasn’t building a sustainable business. I was miserable and my writing wasn't connecting with anyone.

Permission to Write the Self-Focused First Draft

I completely believe that the stories that matter need to matter to you first.

You can’t stop there, of course - not if you want to turn those stories into online content that builds a community of people who want to invest in your vision. But before you start looking over your shoulder and before you start looking into the eyes of the people you want to serve, you must connect to your own stories.

Right now, I am developing a course called the You, Your Stories, and Your Audience. As you understand how to craft stories that matter to the people you wish to serve, you also learn the art of the Self-Focused First Draft.

Your SFFD will evolve into final draft that transforms your readers’ perspectives and compels them to take action. But before it’s asked to do anything so grand it’s rooted in exactly what you have to say. You'll learn that before you can dedicate yourself fully to anyone else, including your reader, you need to practice a healthy selfishness and tend to your own stories. 

This course is for emerging thought leaders, especially therapists, healers, and coaches, who wants to build a business through blogging today and develop an online presence that will get them a book contract and big time speaking engagements in the future.

Get all the course details and save your seat for the May 2 launch!

Crafting Vision Into Story

“I don't want to eke out my life like a resource in short supply. The only selfish life is a timid one." - Jeanette Winterson, #365StrongStories by Marisa Goudy“I don't want to eke out my life like a resource in short supply. The only selfish life is a timid one. To hold back, to withdraw, to keep the best in reserve, both overvalues the self, and undervalues what the self is.” Jeanette Winterson, The Powerbook

A fresh green force thrums within me. It’s at once the rush of the ocean between two rocks and the ecstasy of spring in the narrow passage of a daffodil stem.

It is life. It is creation. It is the riotous movement of energy in a conscious, interconnected world. It is peace and wildness, a great force and wisest surrender.

There’s a hint of death and the inevitable cycle renewal in this celebration of aliveness too, but I’m not lingering on that right now.

This great movement and power, it terrifies me as much as it excites me. Despite my dreams and my ambitions and my yearning to leave a creative, benevolent mark on this world, I fear this great force. To give this much, to be capable of so much would disrupt the relatively quiet, predictable existence I have become so used to.

This vision of an internal sea and rising spring is just that: a visualization thrown against the screen of my mind. And yet, it’s also very real. Or, at least it can lead to very real things.

When I agree to allow that green swell of energy to be real enough to move me, life will expand and grow and change. It would be inconceivable that I could continue to eke out my life like a resource in short supply.

What a lovely picture. Now where’s the reader’s story in all that?

Alone, these musings paired with a Jeanette Winterson passage don’t have the force of story. If I’m lucky, I may offer up just enough poetry and inspiration to keep you interested, dear reader. In this noisy world of clickbait, the emphasis on “news you can use,” and ad copy structured to appeal to the bits of the brain that can be manipulated into action, I’m not counting on it. Especially because you come to me for stories of entrepreneurship and motherhood and writing advice, not abstract snapshots from my meditation cushion.

To really make you care, to make this into a story you can see and feel and find yourself inside, I would need to anchor you in something other than the rushing river of universal life force energy. You need to follow my journey, but how?

Slip that vision into a real life context

To feel like my story matters to you, perhaps you need to watch this vision interrupt my daily life. You need to see this experience loom larger than all my excuses about sleep deprivation and the incessant interruptions of children and the madness of trying to run a family and a business and a creative existence.

The story’s conflict might come when I realize I can no longer collapse into my limitations - not if I want to honor this magical energy and live abundantly. You could accompany me as I fight against my old ways of numbing myself - red wine, chocolate, and a good Netflix binge. The big climax may be an argument with my husband since we tend to escape to the couch together and it’s always hard on a marriage when one partner commits to transformation.

And the resolution of my story (hopefully!) comes in the form of a creative triumph and a deeper dedication to this brilliant life force.

As always, ask yourself if this story is even worth telling (on your blog, in this moment)

That sort of story I outline above is more complicated to tell - at least if you want to make it a worthwhile read! And anyway, in my case, it would be fiction rather than memoir because I haven’t lived the story and earned the right to tell it all.

Then again, there’s a risk in waiting til there’s a beginning, middle, and end. The transcendent moment that started it all may start to fade. When I juxtapose the mundane details and the marital discord and the spiritual download, the whole thing may seem artificial and forced and even irrelevant.

Today, I’m describing this flash of insight because putting it on the page makes it real for me. I am publishing it because this #365StrongStories project gives me a platform to share something that’s personal and a little bit outside the lines of what I am “supposed” to write about as a writing coach.

Depending on the nature of your work and the goal of your own blog, however, your own a storyless story might find a better home in a Facebook post or in an email to a friend.

But please, don't hold the best of yourself in reserve

That said, if you’ve got something tremendous bubbling up inside, don’t hoard it and save it until all the magic leeches out of it. Even if it feels merely curious, give it a chance to become something that matters.

Dare to birth your big, brave, “this one burns the old script” ideas. Otherwise, we're left to wander mostly comatose in the world of dull, safe, useful blog posts. The forces that keep us small and miserly will win.

Do remember: “The only selfish life is a timid one.”

Resonanting to Our Imperfections

Resonating to Our ImperfectionsMy eyes were bright this morning. Something more energizing than coffee was doing its work and I felt fully present in the circle. I refused to give in to the fatigue that nips constantly at my heels. These chances to be a sovereign being, responsible for myself alone, supporting this group as a peer and a student are rarest gems to me and I wasn’t going to squander a moment. Finally, at the end of this day, however, the sleepiness drags at my eyes and my fingers and I cannot begin to do the experience any justice.

This healing work we do at the Sacred Center Mystery School defies story. It is designed to lift us out of the typical elements of the human condition - even the addiction to story that is a hallmark of our humanity.

As a storyteller, I have struggled with this paradox. Am I peddling narrative crack at my day job and then skipping off to healing school like a sweet little hypocrite trying to leave her stories behind?

In class, we strive to see and touch a dimension that’s beyond individual drama. We seek to fly above and dive below the swell of emotion that drowns out the voices of the divine and the beacons of greater Truth.

And yet, we gather in this counsel of advancing souls as beautifully imperfect people. We’re not trying to shed our humanness. Instead, we ask it to resonate through us, from cells to spirit. When we embrace who we are we’re free enough to evolve.

In such a space, we come together to own our stories, not to be owned by them. In such a place, there’s ample room for stories that empower and there’s all the time in the world to tell the stories that connect us all together.

There's a Reason They Call It a Mystery School

There's a Reason They Call It a Mystery SchoolIt’s time for “class.” At home, that’s all that needs to be said about mama’s quarterly disappearing acts. “Healing class” suffices in most casual conversations, especially in professional circles where I’m known as a writer and a writing coach, not as an energy medicine practitioner.

Only amongst the tribe of fellow healers and seekers do I dare call it what it is - a Mystery School. Four times per year a community gathers to journey into the Greater Reality, to practice a sort of magic, and to heal the wounds that keep us from participating fully and joyfully in the adventure of life.

The Sacred Center Mystery School has been at the heart of my spiritual practice and my self-care routine since 2007. It’s my church and my spa and my therapy couch all mixed together and decorated with crystals and feathers and sacred tools called Chumpi stones.

Ask me what it is I do there, and I am not likely to get too specific. I suppose that is because it is a private practice as full of intimate details as another person’s devotion to prayer might be.

Then again, what more do I have to say considering I co-wrote the book on the subject? Though I don’t talk of it often, I worked with my teacher Eleanora Amendolara to write the guide to her signature healing system, Chumpi Illumination.

This work isn’t a secret, but it is an unfolding mystery. I go to the Sacred Center to resolve the conflicts in my life - that should make for lots of great stories, right? Not yet. Not yet.

For me, this place is the setting for stories stories that need to be held close and told in whispers. Their time may come, but not yet.

Sorry, Shame: This Mama Is Too Busy Healing Her Girl to Sip Your Poison

Sorry, Shame. This Mama is Too Busy Healing Her Babe to Sip Your Poison. #365StrongStories by Marisa GoudyWe didn’t quite make it a year between visits to the walk-in emergency clinic. There are three things I have learned from the early morning trip to have two-year-old fingers checked out after a door slamming incident:

  1. Telling personal stories on a blog means never having to guess when past major life events occurred. They also lend you strength you may have forgotten you had.
  2. My little one is accident prone, tough as nails, and sweeter than I thought possible. My big one never means to hurt anyone and her feelings may be more wounded than her sister's digits if we're not careful.
  3. I’m still woefully and beautifully imperfect. And I am still ok with that. Shame need not apply when I'm busy healing my baby and keeping the big girl from falling into the shame spiral.

Here's an updated 2016 version of that story from last year:

One of my girls had an accident this weekend. Though it was terrifying at the time, it ended up being relatively minor. Now I can claim a parenting merit badge my mom never earned: held my daughter as she got stitched up x-rayed and told she'd merely lose a pinkie nail.

It was an accident, yes, but it could have been prevented. I could have had my hands on the kids instead of sitting an inch beyond an arm’s length away lying in bed three feet away, utterly exhausted by another night of tag teaming sleepless children. I could have said “no, honey a five year old isn’t big enough to carry her one year old sister yet.” screamed "no, you will not slam that door just because your sister is trying to come into the bathroom!"

But I didn’t.

And we ended up at the walk-in med center, covered in blood all swollen up – and sidewalk chalk and dirt from what was supposed to be a typical Saturday spent in a yard just awakening to spring still in pajamas, eyes full of sleep.

We’re so proud of our girl for healing so quickly and handling it all so well. And I’m pleased to report that I’ve emerged from shame’s shadows. Truthfully, the horrible guilt dissipated within twenty-four hours. (Likely that’s because much of the swelling did too). 

Truthfully, I skipped shame all together this time because a shamed mama isn't a strong, compassionate, in control of her emotions mama who teaches her girls to be same.

No longer blinded by self-recrimination, I can simply hold my little one tight, overcome with gratitude and rendered speechless by how precious she is to me (and by utter exhaustion).

Yes, gravity won sibling rivalry made us all losers in that split second, but I forgive myself.

I’ve decided that I am mother enough for my daughters – even if I’m woefully and beautifully imperfect.

Echo Grandma by Guest Storyteller Evelyn Asher

Barren Trees of Winter: Echo Grandma, #365StrongStories by Guest Storyteller Evelyn AsherAs my thoughts propel through barren trees, the chill of a Northern Georgia winter diminishes. My heart travels on wings of love across four states to northwest Ohio where I picture two of my granddaughters, ten year-old Nora and 8 year-old Samantha, fastening their seat belts in their dad’s dated van.  Off these resilient young ladies go to their hip hop and jazz dancing lessons while their same-aged stepbrothers are scurried in another direction.

My younger son, 49, a bearded bear and a vivid storyteller, fosters fierce grandparent bonds and tends a family legacy. He remains in the frigid north to ensure he is an integral, stable part of his daughters’ lives.

“Hi, Grandma Asher.” I melt when these words greet me each time they phone.           

“What are you doing this afternoon?” I ask when the girls called to thank me for coloring books.  “We are going to Poppy’s. He isn’t feeling well.”

Tonight, I will craft a “C” poem on decorative paper and I will post tomorrow for weekend receipt. Enclosed will be two sheets of paper, suggested letters of the alphabet for a poem written in different script, and two self-addressed stamped envelopes. I delight in creating a collage of the girls’ poems and sweet notes that come back to me- sunshine in my mailbox.

When distance-induced heartache surfaces, I giddily send surprise packages. Sometimes I compose “fill-in-the-blank” letters and send them off - also with a SASE. I have learned to ask at the end of each letter, “What haven’t I asked you that you would like to tell me?”  About my new haircut, one tells me.

At other times, my heart spills over in when I meet a young mother in the check-out line and ask how old her child is.  I recently asked a mom at Michael’s if I could treat her child to something extra as I would if I my grandchildren were near. Gratefully, I had that pleasure.

Dance recitals are calendared for June. Will I be in the audience?  Perhaps. Whether I make the drive or not, I will always be in my granddaughters’ balcony, cheering them on.

Through the barren trees, my echo carries. Can you hear me now?  Can you hear me now?

Evelyn Asher #365StrongStories Guest Storyteller

Evelyn Asher is a business coach and poet who yearns to take her family on a Custom Sailing cruise.

Is That a Rant or a Story?

Rant or Story? My life is an Unmade Bed, #365StrongStories by Marisa Goudy This morning as I rushed from room to room gathering necessary clothes and snacks and computer accessories and toys, it occurred to me: My house is like an unmade bed.

I was tangled in the twisted bed clothes of an entire household of stuff. Everything I needed was lost in this riot of a rumpled nest and it felt nearly impossible to meet the day.

This blistering tirade fueled my mad dash (because, of course, one girl had to make the bus and another had to be dropped at playgroup exactly on time so that mama could make her daylong VIP session with a client).

Once I was safely belted into a quiet car with my coffee, I began composing the day’s story in my head, so pleased that I had such a powerful image and title. But then I paused.

Was I a storyteller or a cranky woman who just wanted to score some sympathy points for performing the impossible? (At this point, I realized that I wasn’t a righteous super hero. I would probably just sound like a disorganized creature who, though hilariously human, was also a trifle whiny.)

Do you want to entrance them with story or blind them with shared rage?

A strong story is compelling. It moves the reader to say “me too!” and click share. Of course, the same can be true in the case of a red hot rant that pushes your audience’s buttons.

But one of these is likely to be full of gory details that you don’t want to revisit or defend in conversation. It’s about a topic that’s too intimate, too raw, too prone to morning after regret.

When you think about it that way, if you’re writing to build your business and establish your professional reputation, you want to avoid that kind of TMI like the plague.

An authentic blog post is intended to give people a window into your world, but the goal is to hold onto a few shreds of dignity and authority so that readers will say “I want to work with that human.”

A story is a well processed piece of prose that features a beginning, a middle, and an end. It has a conflict and a resolution and a protagonist you can root for.

When you write a story, you want to be vulnerable, but you’re not yowling about an open wound like you might in a full blooded rant. Instead, you’re showing off your healed scars with a smile.

How do you know when your post is more diatribe than engaging story?

A rant doesn’t have a strong ending. It may not even have a clear beginning. It’s all messy middle as far as your harangue colored glasses can see.

There’s plenty of conflict, but resolution hides below the horizon of a limitless sea of indignation.

Now, your rant may have characters - generally the wounded party (who may or may not be you, the writer) and the evil perpetrator (an actual villain or just the beasts of excess and chaos). In your unfiltered narrative, you might not be able to make your hero likeable enough to root for. An angry victim will boil alone in her vitriol if she doesn’t have a plot to hold her and prove her case.

Ask yourself: how do I want to connect?

We live in the age of storytelling, not in the age of tirades.

Ok, so that is a total lie seeing as we are living through an American presidential campaign, but we really are in a golden age of storytelling when we get to market our businesses not through newspaper ads but through content that connects.

An emotional explosion might bring the right people through your door. But, most often, those rants will fall flat and keep keep your ideal clients at arm’s length. How can they see the solutions you offer through the drama you describe?

Write stories, not rants. Your readers and your business will thank you for it.

Need some help telling a story that connects? Download your free strong storytelling guide now.

Is it intimate? Is it vulnerable? Is it my story to tell?

Is it intimate? Is it vulnerable? Is it my story to tell? #365StrongStories by Marisa Goudy Writing a story a day is a mad, marvelous mission. Time constraints and the very real limitations on creative energies are valid concerns that might make you quit before you begin. Another reason to think twice about asking your creative impulses to take the shape of something that can be fully expressed within a twenty-four hour period: the strong stories often want to take a lot longer to be conceived, born, and debuted in this strange, complex world.

After two months of shaping and sharing these stories, I have finally started to recognize a story that needs to germinate. It would be a disservice to the narrative, the reader, and to me as a writer to force a certain kind of story to sing and perform before it can even cry out its own name.

When you force yourself to work on a deadline, however, it’s nearly impossible to abandon a story that’s three quarters written - especially if it took more than the hour you told it that it deserved.

Today, I wrestled with a story for a couple of hours only recognized that we both needed a rest when it bloomed past the 800 word mark. In a few days, I might be able to tell you if it was a lost cause journal entry with delusions of grandeur or if it’s something real and important that wants to reach beyond the scope of #365StrongStories.

How can you tell if your story needs to be nurtured in secret or if needs to be shoved (lovingly) into the light?

First, follow Brene Brown’s wisdom: is the story intimate or is it vulnerable?

Is the story full of gory details that you don’t want to describe or defend in conversation? That’s too intimate to share.

Or do you feel brave and proud and just the right amount of scared? That’s vulnerability and that’s at the core of every strong story.

And second, ask yourself whether it is your story to tell. If neither intimacy or vulnerability seem relevant to the equation, your story might be asking you to dive deeper or revisit it when you’ve really got something to say.

Sticky subjects that might stink of shame

The story I’m not ready to tell is about parent shaming. I’m very much inspired by Mercedes Samudio’s #EndParentShame work and I was triggered by an exchange I saw in a Facebook group today. It’s such an important topic that we need to start talking about across our communities.

Thing is, I felt nauseated rather than exhilarated as my fingers flew across the keyboard. I think I was more of a voyeur than an ethical memoirist describing her experiences.

All of those are signs that I’m sharing the wrong details about the wrong aspect of a greater truth. You, my story, and my integrity as a storyteller deserve more.

If it’s a strong story, it will wait.

It's my mission to help you discover and tell the strong stories that matter to you, your audience, and your business. Learn more about the You, Your Stories, and Your Audience eCourse.

You, your story, and your audience ecourse for therapists, healers, and coaches by writing coach Marisa Goudy

The everyday anguish of a creative life left unlived

“There is no greater agony than bearing an untold story inside of you.” Maya Angelou, #365StrongStories by Marisa Goudy“There is no greater agony than bearing an untold story inside of you.” The girl had grown up reading that quote, an amateurish watercolor on a piece of torn paper that was tacked to her aunt’s kitchen wall.

“Auntie? Why do you have that old piece of paper up there, way up high?”

The woman sighed deeply and looked into her mug of tea. Childhood went by faster than ever, but there were certain stories that wouldn't fit into a six year-old’s world.

“The writer who said that - can you read where it says ‘Maya Angelou’? She changed the world by writing the stories of her own life. She was a poet who talked with presidents and she had a deep, powerful voice.”

This was when the woman began to pray, please let that be enough. When her niece came to visit her tiny apartment in this blah bedroom community, every inch of the place was examined, so she ought to have expected this question.

“Yeah, but why is it way up there by the ceiling?”

Because I needed it to be there, but not there, the woman screamed silently. The truth behind this painting was too important to lie about and yet too raw to speak aloud.

“I hung it way up there so I had something to look at when I do my neck exercises.” That was a sad attempt an explanation. On the bright side, maybe that lame little story would remind her to stretch now and again.

“Did you paint it?”

“Yes, honey, I did.”

“But you’re not a artist!” the girl exclaimed, skipping over that cumbersome  “n” in her passion.

“No, honey, I’m somebody in a cubicle.”

Apparently cubicles weren't interesting to children either. “Yeah, but what does ‘agony’ mean” she asked, making the word sound like it rhymed with pony.

“Something that really hurts.”

“Oh, ok. I don’t have that. I tell all the stories in my heart.”

The nice thing about being cross-examined a first grader is that you can pull her onto your lap and rest your chin on her head so she cannot see the tears in your eyes.

Tell the stories that matter to you. Learn how to access them with this quick, free guide for creative entrepreneurs.

My Buddy Lennie

Farewell, Lennie. #365StrongStories by Marisa Goudy“A small, redheaded girl from Centerville was a crowd favorite.” I’m not exactly sure that’s what the Cape Cod Times review said, but I can’t seem to find the clipping from the summer of 1985. I do remember my mother read it to me over breakfast while I wore my gold medal - a piece of cardboard covered with the band members’ autographs.

The night before, I had won Sha Na Na’s “Monster Mash” contest during their concert at the Melody Tent. I’m not sure the other contestants had a chance - it’s pretty easy to limbo under a plastic leg held by a man dressed as Frankenstein when you’re not even four feet tall.

Perhaps I was picked from the crowd because I was the only kindergartener in the place or maybe it was because my parents had known saxophonist Lennie Baker from back in their days working in the saloons of Falmouth, MA. Either way, it seemed like a perfectly ordinary - albeit wonderful - occurrence. Doesn’t every kid get to go on stage with the band from Grease and land in the papers?

I’d known that my parents used to hang out with the big redhaired guy on TV (remember when Sha Na Na had their own show?) and there were pictures of him holding me in my baby album. The only story my folks told about him his version of a diet - a six pack of light beers and a lettuce sandwich. That one anecdote certainly that doesn’t sum up their friendship or Lennie’s life. Then again, his obituary in the New York Times doesn’t either.

RIP Lennie. I can say "I knew you when," but that's more legend than fact.